top of page
1ded9299-c907-4f32-ad23-2474d305728b.jpg

30.10.2019 - 16.12.2019

R.A.R.O residency in Buenos Aries, working along side Ward Joyce (Vermont, USA), Fava De Silva (Rio, Brazilian), Claudia (Santiago, Chilean) for 5 Weeks in residence, followed by week set up for show at in San Telmo. 

"Amelia Brewerton is a British visual artist. She was received by Maria Colombo from Espacio Camargo and Hernán Rojo. In Buenos Aires she investigated behavior in Buenos Aires public spaces and how it is shaped by freedoms and social limits. She also examined the waste circuit and the recycling process. Hand in hand with the different workshops that hosted her, she was able to experience other languages such as sculpture, photography, and collagraph."

https://www.esraro.com/ameliabrewerton

Gallery

Gallery Lanzallamas 5.12.2019 behind featured, untiled piece from residency. 

Worked based on visual experiences, from the city.

Week 1 & 2 spent in Camargo Studio

Explorations of public spaces, making printing plates and relearning techniques.

Initial sketches, photos and plates made from: La Boca, Resturant in Villa Crespo, Recoleta Cemetery, Museum in La Boca (view point)

Next steps initiated were deciding what it was i would be looking at visually. Inspiration from William T. H. Whyte, reviewed film "Plaza". Located myself at local cafe/restaurant in Palermo, 'Velvet' - positioning around roundabout.

Observations made on main and busy road, 'workers' moving from one area of the city of collecting waste/ discarded recycling between districts. Who takes positions in and around the road? What is left at the side of the road? What stays/can't leave the side of the road?

Interest in A ---- B location 

Who's inside what are they doing? How are they occupying?

Sound scapes, emotion in spaces, buildings as cold, Lifeless, feelingless materials.

Juxtaposed to humans being warm, active, present and human in energy. 

Architect, Ward Joyce, fellow residency artist asked me about my proposal "How did i want to make people feel? What was I trying to do in the space?"

6253e95d-b56e-44a9-92d3-f002747fee09.jpg

Work in situation at Lanzallamas, 5.12.2019 - 12.12.2019

6fc9671d-5585-4f18-b007-4c273f9a7e4e.jpg

Team R.A.R.O Chili, Mable, Lina, Violette, Cici, Jenny

IMG_1183.JPG
IMG_1184.JPG
IMG_1185.JPG
IMG_1186.JPG
IMG_1187.JPG
870c2c83-94ee-4585-8960-bb815840e0d0.jpg

Grabbing, collecting motions of hand casts, made from plaster and flower, rubble found from street. Hand casts, reflecting my implications in my journeys around the city (such as removing hand actions).

HELD IN INFINITE PRESERVATION OVER DISREGARDED. LIVING HAND CASTS

960c3c61-74d3-43cf-9fc9-15c83c18595e.jpg

Working in sculpture studio, Mèxico 1803,BA

"INVENTION-ism" Relationship with art works and space around it. 

Shapes in space, elevated sculptures/objects, pictorial space.

Naomi Gerstein "la familia"

Blocks suspended, motion

IMG_1603.JPG

"Untited" work in space at LANZALLAMAS

1728F88F-3F81-491E-9CCB-C51D5CA7137C.jpg
8D94E98A-F5D8-4ED8-9E27-AC851D4B488B.jpg
D3413B31-75BD-428D-8FB0-BFB52E221E90.jpg
4C4A8C67-AD5A-44A7-AF17-6F9E50BC0CA8.jpg

Drypoints made in Nov 2019

A194A68B-4FD4-4691-B7E2-A169B5932EA9.jpg

THREE LINO PRINTS IN SITCHO AT GALLERY LANZALLMAS. December 2019

Featuring lithographs (beneath) of fellow artist FAVA DE SILVA.

c19d1f55-9d89-4e88-9081-70fb83624027.jpg
92f000e1-9f1c-4bda-8615-717573200fde.jpg

Chili Amighini, Ward Joyce, Claudia Müller, Fava De silva and Amelia Brewerton

Ward Joyce at Lanzallamas, set up 2-4th December 2019

bottom of page